connector.TV Movie Review: The Raid (2012)
Director: Gareth Evans/100 mins/18
The most memorable action films have wonderfully simple set-ups. Die Hard was one man against a dozen in a skyscraper. The Wild Bunch was a trigger-happy gang go for one last job. The Raid (winner of both audience and critics’ awards at the Dublin Film Festival back in February) is 20 cops, loads of criminals and a thirty-story tower block. Blend these simple ingredients with some lightning-paced chop-socky and you get a flick that is best described as batshit crazy, but in the best possible way.
The opening of The Raid sees Sergeant Rama (Iko Uwais) exercising, praying and kissing his pregnant wife goodbye before heading off to join his SWAT team on their latest mission. Yes, this is our hero. Clichés threaten The Raid frequently from the shadows, but they simply don’t matter. As soon as you start to think in any way deeply about the characters, Uwais and director Gareth Evans grab you by the neck and throttle your senses until you submit to the almighty chaos. The cops assemble around the 30-floor apartment block ruled by drug lord Tama (Ray Sahetapy) and then they breach the perimeter. Once the SWAT team get inside, mayhem ensues. Their initial plan to take the place quietly floor by floor goes awry, and seemingly countless henchmen come at them with guns, machetes and their fists. The police, though outnumbered, are forced to respond, and Rama is determined to get home alive by any means necessary.
From the moment the team enter the complex to the final few expository moments, The Raid is a breathless, delirious and uncompromising piece of action film that leaves so many other pretenders in the shade. Both cops and criminals are versed in Pencak Silat, an Indonesian martial art that is more brutal than balletic. Combined with knives and guns, it becomes a lethal force that pins people to the wall and audiences to their seats. A fight between Rama and gang members Andi (Donny Alamsyah) and Mad Dog (Yayan Ruihan) will leave you open-mouthed in disbelief. Before that, however, watch as Rama hacks, chops and slices his way through a huge cast list with bravura. Seriously, stay for the credits and see how many guards/fighters/attackers all succumb to Rama’s talents. Blood flows freely in the fight scenes, some of which result in images and moments you won’t forget. In moments of desperation, the characters in The Raid find unorthodox use for such things as broken doorposts, butter knives and fridges. You have been warned.
Director Evans, a Welsh emigré living in Jakarta, takes unashamed influence from all kinds of sources; from Bruce Lee to John Carpenter (think Assault on Precinct 13 across 30 floors), from Sammo Hung to Sam Peckinpah. Meanwhile, Uwais’ reflexes and boyish looks make him a bona fide action star. The Raid is not subtle, but it’s proud of its influences and unique in its storytelling, fevered and relentlessly energetic. The bloodshed of The Raid will send your blood pumping through your veins at light speed!